I have finished both the Lee and Leyendecker editorialized portraits, going back into both of them for corrections and such. Lee, I think, is fairly set. I have him here. Leyendecker requires a bit more fine-tuning, so he will be posted up shortly after Lee, once I feel good about it.
I had a blast working in watercolor on Lee. I was a bit apprehensive about getting it the way I wanted, as I have had annoyances lately with where my watercolor was going. But, through a several week period of philosophical and technical re-examination, and a brief re-freshment in my bout with oils on Leyendecker, I found my "zing" again and my watercolor direction is better.
Color reference for the face was key, for, while I can draw without too much reference, my color application is not yet strong enough to go it alone.
I have miles to go, but I think my application is more satisfactory and certainly in harmony with my drawing approach.
Leyendecker soon to follow.
I had a blast working in watercolor on Lee. I was a bit apprehensive about getting it the way I wanted, as I have had annoyances lately with where my watercolor was going. But, through a several week period of philosophical and technical re-examination, and a brief re-freshment in my bout with oils on Leyendecker, I found my "zing" again and my watercolor direction is better.
Color reference for the face was key, for, while I can draw without too much reference, my color application is not yet strong enough to go it alone.
I have miles to go, but I think my application is more satisfactory and certainly in harmony with my drawing approach.
Artist Editorial Portrait, Alan Lee, Watercolor, 2010. |
Leyendecker soon to follow.