06 June 2016

Connecting Water and Heaven - Tree Post V

The Infinity Tree, the tree bridge, merges water and sky through the realms of Ether.

Or so many origin myths allude.

This tree is the vision. We have the final drawing stage for this iteration, precursor to the painting, and a part of the Tree Bridge series.

I'm showing the final drawing, but also, I have some more conceptual roughs to shed some light on. These additional process sketches came out of the process for the painting, now beginning its fresh life on the studio board.

From the last tree post, IV, here's the rest of the development in rendering the drawing out:



"The Infinity Tree"



Final drawing with graphite and graphite wash on hot press, 10x15".

I do not have this framed yet, as the final drawing frame is a special project in itself. I'm building it out of not-so-standard materials for a unique finish. More for that along with the painting development!

I still need to make full size scans, as well.

Pre-Orders for art prints of the drawing are available now.

Contact me directly for interest here

But then there are those conceptual roughs that I peppered throughout the process of this drawing development.

To shake the creative process up a bit, and keep the blood oxygenated nicely along the way, these were done in mixed media on drawing paper, with the tempting gold leaf touch.

Here are some process and detail samples:




Notice, these concept roughs are all not only mixed media, but an abstraction of representational tree form, designed and gestural, each at approximately 5x7".

There will be more on the development in future application of these rough trees.

On to the Infinity Tree painting, for this project!

-Mairin-Taj

12 May 2016

The Making of "Patience" and "Intuition" - Twin Allegorical Illustrative Drawings

"Patience" and "Intuition"...

Concepts of value in the human psyche. Skills of perception and volition that are strengthened with time and self-discipline, or honed and refined with care, and experience.

*Scroll down for the content artist's statement

"Patience" and "Intuition", respectively, *custom framed, pre-show photo - May 2016

My notable colleague Evan Kitson curated this show called "Beyond the Surface: A Survey of Contemporary Drawing", bringing together the drawn work of artists from the East Coast metropolitan area.

I knew these two concepts that I had been long wanting to put to paper would be the ones I would contribute to the exhibition.

The concepts are near and dear to me, for philosophical and personal reasons. Once I had articulated the intention for each of the drawings for myself, I set to work visualizing the composition and working with a photographer friend to create the figure reference I needed, using myself and the choice model and friend for the other image.

Here's an idea:

Sample photo ref for "Patience" drapery...

 I tend to doodle out my initial composition thumbnails at true 'thumbnail' scale, about an inch or so large, in the "ideas" sketchbook I have... I get the thoughts down fast, scramble them about a bit in various iterations, then go to the best ones with full scale gusto.

And so begins the drawing - I'm not bashful about going all in, especially for a show:



I work with reference that I take myself, if I need it, and I work all by eye, I do not trace, I create my content drawing loosely, building up internal structure abstractly into cleaner, attentive, representational form.

It's easiest and most natural for me to find outer contour by the dictation of gestural and circular mass structure; in other words, the final outline of a figure, for example, becomes more accurate through first understanding the internal, underlying anatomy, as well as impression of character. Structure defines likeness.
Start from within, work your way out, and you won't have to erase so much, or get so lost along the way.





Working with your own likeness can sometimes be a bit weird, but you have to look at the process as another objective study, stepping away from personal preconceptions as much as possible and exploring what you know of yourself with your inherent insight, but leaving behind insecurities and grand projections of self-image.

I think artists naturally have more of a capacity for doing this, though, because our sort of permanent job description is to observe everything, and that means we have an inclination to try and look at ourselves more curiously than others might face themselves.
It's just a theory, but this is my experience.

I think if you're more willing to draw what you see, not what you think you see, the result will be more honest, and it will inspire more response in others.

Here, below, I am content to leave what I've sculpted out of my portrait for now, and continue developing the posture, the torso, the mass of the body, and it's lighting.

You can see down towards the pelvis and the abdominal section how I'm refining the circular structural shapes into a cohesive whole, and etching in rough sections of tone to then smooth out into a likeness of skin and shadow on skin.

That tricky hand holding the dirk, or dagger, will come later.


Below are the sweepingly loose circular structure shapes I've jotted down to get a sense of where the osprey bird will go, in relation to the figure. It's a rough impression of the inner 'wiring' of the bird's body, but that's all I need. I can refine from that, looking at my reference. And I can let little impressionistic moments from this stage linger in the final definition, to give it spontaneity and breathability.



Using an example of the process from "Patience" now, you can see the open and gestural swipes from my brush, which I used to add depth of tone and texture to the final drawing. This was a series of layers of fairly dry washes of watercolor.


I tend to geek out over simple moments, like taking the tape off the parameter of the final drawing, and seeing the stripes of natural white against tone and messy medium: #artnerd



The final art for "Patience", 7x9 1/2":

Artist's Statement:

     “Patience” is a personified illustration of the virtue and burden behind personal resolve. Calmly tenacious, centered within evergreen wisdom, there is a kindled strength to the seeming vulnerability of slow growth.
     




The final art for "Intuition", also 7x9 1/2":

Artist's Statement:

“Intuition” represents, in a parallel manner, the inner sage, that swift perception, a vital philosophy for free spirit and accomplishment.

     Together, the quiet volition integral to these indomitable realms partner the human icon with universal totems in their own symbolic environment.





"Intuition" has already been SOLD, through Red Raven Art Company:



"Patience" is still available for purchase, custom framed, original art:



*Fine Art Prints of "Patience" and "Intuition" are available through my website

-Mairin-Taj


09 May 2016

"Currently In Show" - "Little Saint" at the Sunshine Gallery Community Exhibition!

I have been so absorbed in producing latest works and process development, as well as attending these shows and other friends shows, that I've been forgetting to post about them!

Well, I participate in an annual community exhibition for the city of Lancaster held at the Sunshine Gallery, where 10x10" cradled wood boards are provided for each participating artist to do...something...with.




It was a fun challenge for me, as I've never worked on cradled wood before.

I've been developing thoughts, sketches, studies, and concepts for this recent immersion into the mythology and cultural history of trees, and I wanted to continue working with the subject for the show.

So I put this little chappie out there - A little "saint":

"Little Saint" - Mixed Media on Cradled Wood, 2016

Some look at the process of exploration playing this concept into a cohesive finished work:






Gold-leafing is the next step, followed by more layers of matte medium:




"Little Saint" is now available for purchase

-Mairin-Taj

04 May 2016

"Currently In Show" - Beyond the Surface: A Survey of Contemporary Drawing

For May!

New work of mine is a part of an excellent and insightful invitational drawing exhibition curated by my friend and colleague Evan Kitson, for the Red Raven Art Company.

Finally see the work of twin allegorical drawings "Patience" and "Intuition" (*sold) that I've been working on and have had done and custom framed in eager anticipation for the event.

As with all of my work, I get over it rather fast, so its older for me than for audiences, but nevertheless...

Follow the process of creation in the following blog post for the new works, for more contextual technique and storyline!

The opening reception for "Beyond the Surface: A Survey of Contemporary Drawing"



The window display for Beyond the Surface, a curated survey of contemporary drawing, at Red Raven Art Company in Lancaster, PA. Art in the window by Danielle Synopsis Brown, Randall DiGiuseppe, Mairin-Taj Caya, and David M Stallings









Stop by and see these framed beauties out in the real world for the first time!

"Intuition" and "Patience", from left to right, respectively, framed and ready!

See you at the Red Raven Art Company Gallery this month, through the end of May!

-Mairin-Taj